Marcus Macauley

About me

Below is a standard 3rd-person professional bio. I hope to soon upload a more personal bio, as well as a more formal CV. You can always contact me for more information.
 

Marcus Macauley is a Seattle-born (1985) composer and pianist living in Rochester, New York, where he has been attending the Eastman School of Music for three-plus years on a Lois S. Rogers scholarship. His composition teachers have included Janice Giteck, George Tsontakis, Samuel Adler, George Crumb, David Liptak, Ricardo Zohn-Muldoon, Carlos Sanchez-Gutierrez, Mario Davidovsky, and Allan Schindler, and he has participated in master classes with Samuel Jones, Jennifer Higdon, and Martin Bresnick. His music has received a handful of national awards, among them two ASCAP Morton Gould Young Composer Awards and BMI’s Carlos Surinach Prize, as well as performances by cellist Truls Mřrk, Ensemble Eleven, Collage New Music, Eastman’s Musica Nova conducted by Brad Lubman, the New York Miniaturist Ensemble, members of the Seattle Symphony and Ensemble Sospeso, and others.

        Also a pianist with a wide range of experience, Marcus has accompanied church services (with and without choir) since a young age, rehearsed and accompanied singers in musical theatre and contemporary opera, won many Seattle-area and Washington-state awards for solo and concerto performance, and performed concertos by Mozart, Schumann, and Bartók with orchestras including the Seattle Symphony, the Sammamish Symphony, Orchestra Seattle, and Philharmonia Northwest. Since his early teens, he has further distinguished himself in frequent performances of challenging 20th-century and contemporary repertoire, including Carter’s Double Concerto (as piano soloist) and Triple Duo (with members of Speculum Musicae), as well as many small- and large-ensemble performances with Eastman’s Ossia New Music, Philharmonia, and Musica Nova ensembles, including works by Ligeti, Francesconi, Furrer, Ives, Crumb, Reich, Zorn, and others, and a number of US and world premieres. His piano teachers have included Michi Hirata North, Peter Mack, and Vincent Lenti, and he has played in master classes for Frank Heneghan, John Perry, Stephen Drury, and Charles Rosen.

        Currently on a voluntary leave from Eastman, Marcus is pursuing a number of extramusical interests through mostly independent research, while continuing private study and professional work in piano performance, composing and arranging, and music engraving. He may be contacted for further information.